Sans Souci Festival of Dance Cinema, SansSouciFest.org

SSF @ Moving Southwest Festival 2022
In partnership with Museum of Dance.


Program A - in person July 9

Frame from Otherland

Otherland, 2018, Netherlands, 13 min

Directed by Jan Pieter Tuinstra
Produced by Sanne Cousijn, Camiel Zwart
Choreography by Keren Levi
Featuring -
Dancing by Elvin Elejandro Martinez, Xavier Barthelemi, Zelda Dapaah, Joby Shayron Tremus, Guilliano Pinas, Marvin Oliveira, Cyril Adaine, Mattia Palumbo, Amber Vineyard, Naimah Janse, Debbie Ruijter, Natascha Ruimwij, and more
Music by Hexenschuss
Cinematography by Jan Pieter Tuinstra
Edited by Patrick Janssens
Based on the biographical story of Elvin Elejandro Martinez and narrated by him, ‘Otherland’ is a juxtaposition of two narratives that evoke new associations for viewers: Martinez's coming of age in Sint Maarten, and his character's Vogue performance at the Voodoo Carnival Ball. While the visual story of the Ball is fictional, the film is based on in-depth research into the Dutch ballroom community, and all the characters and dancers are part of the European ballroom/vogue community.
Frame from To Dress a Body

To Dress a Body, 2020, Mexico, 7 min

Directed by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
Produced by Enrique Beas
Choreography by Daniel Luis, Lissette Armendáriz, Jose Olivares, Fe Rangel
Dancing by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
Music composed by Anastasia Vronski, Sergey Cheremisinov
Cinematography by Enrique Beas
Edited by Lissette Armendáriz
Styling by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
In contact with the garment. In contact with the wind. The body in contact with another body? To dress a body. The wind catalyzing the movement where the body reacts to the garment. Body - garment. Body - wind. Body - body. The static results in movement. Between stability and the action of bodies, the movement is modified. Sometimes simultaneously. The skin's color and texture is present in the steadiness, in the garment and in the space.
Frame from Migrante

Migrant Gaze (Olhar Migrante), 2020, USA and Brazil, 3 min

Directed by Ana Baer, Julia Ziviani
Produced by Bruno Harlyson
Dancing by Ayumi Hanada, Casemiro de Paula Barsalini, Cléo de Paula, Fernando Vitor, Flávia Pinheiro, Júlia Ferreira, Lais Taufic, Robson Lourenço, Victoria Travitzki
Music composed by Joaquin Lopez Chas
Filmmaker: Ana Baer
Cia Eclipse Cultura e Arte Direction by Ricardo Cardoso (Kiko Brown) e Ana Cristina Ribeiro
Groupo Dançaberta Direction by Julia Ziviani
An intimate look at the Immigrant experience focusing on issues of identity, belongingness and displacement through the language of dance. Shot in Campinas, Brazil in collaboration with Dançaberta and Eclipse Cultura e Arte.
Frame from o s t r o s s a u r o

o s t r o s s a u r o, 2016, Brazil, 6 min

Directed by Felipe Teixeira
Produced by Núcleo Mirada
Choreography by Karime Nivoloni e Liana Martins
Featuring Núcleo Mirada
Dancing by Karime Nivoloni, Liana Martins, Mariana Molinos
Cinematography by Felipe Teixeira
Three bodies become one. This being goes slowly through space, taking on different forms. Dissolution of the skin, the edges. A being that reinvents itself and integrates itself with space and its textures.
Frame from Let's Dance

Let's Dance, 2010, USA, 2 min

Produced and Directed by Malia Bruker, Oscar Molina
Choreography and dancing by Eun Jung Choi, Guillermo Ortega Tanus
Featuring Da Da Dance Project
Music composed by Dizzy Gillespie, Frank Paparelli
Music performed by Miles Davis and the Lighthouse All-Stars
Filmmaker: Malia Bruker, Oscar Molina
"Let's Dance" is a sensual black and white film that captures the relief that dance provides in everyday life.
Frame from Bad Hombre

Bad Hombre, 2020, United States, 3 min

Produced and Directed by Martin Lombard, Facundo Lombard
Choreography and dancing by Martin Lombard, Facundo Lombard
Featuring Lombard Twins
Music by Antonio Sanchez
Cinematography by Andy Cao
Camera Operation by Andy Cao, Anai Garcia Medina
Artists / performers Martin and Facundo Lombard and five-time Grammy-winning drummer / composer Antonio Sánchez, tell, through the language of music and dance, the story of a man who struggles to make his voice heard and what this can cause.

Los Perros del Barrio Colosal , 2021, United States, 12 min

Directed by Omar Román De Jesús
Choreography by Omar Román De Jesús
Dancing by Rafael Cañals, Carlos Falú Sanchez, Rachel Seacrest, Ian Spring, Christian Warner, Spencer Weidie
Filmmaker: Drew L. Brown
Costumes by Omar Román De Jesús
Through the exaggerated mannerisms of daytime television, the six characters of "Los Perros del Barrio Colosal" take us on a wild romp through the challenges of creative decision making. Diving dramatically into the adventure of an imagination yet to be physicalized, they ask us to consider the far side of the moments when our ideas threaten, with disjointed urgency, to swallow us whole.
Frame from Moving Barcelona

Moving Barcelona, 2021, United Kingdom, 6 min

Directed by Jevan Chowdhury
Choreography by Alex Ekman, Catherine Allard, Jevan Chowdhury
Featuring IT Dansa
Moving Barcelona is a magical realist dance story about the Catalonian capital, an autonomous region in the Spanish State contending with an identity crisis. A city with everything going for it is still haunted by the ghosts of its past and despite much progress, it finds itself unearthing old wounds. Narrated by celebrated actor, Pep Munné, who appeals for calm, there is a sense of reassurance that all is okay. The movement of the city however tells a different story, and he is resigned to the fact that things inevitably, are the way they are. Barcelonians, in pursuit of happiness, find themselves on a treadmill  to nowhere in a tale of modern day life. Moving Barcelona is the eighth film in an award-winning collection of works by the London-based film-maker, Jevan Chowdhury to capture the world as a stage. Life on the street in London, Paris, Brussels, Dallas, Prague, Yerevan and Athens have all been recorded in this growing canon.

Program A - in person July 10

Frame from Otherland

Otherland, 2018, Netherlands, 13 min

Directed by Jan Pieter Tuinstra
Produced by Sanne Cousijn, Camiel Zwart
Choreography by Keren Levi
Featuring -
Dancing by Elvin Elejandro Martinez, Xavier Barthelemi, Zelda Dapaah, Joby Shayron Tremus, Guilliano Pinas, Marvin Oliveira, Cyril Adaine, Mattia Palumbo, Amber Vineyard, Naimah Janse, Debbie Ruijter, Natascha Ruimwij, and more
Music by Hexenschuss
Cinematography by Jan Pieter Tuinstra
Edited by Patrick Janssens
Based on the biographical story of Elvin Elejandro Martinez and narrated by him, ‘Otherland’ is a juxtaposition of two narratives that evoke new associations for viewers: Martinez's coming of age in Sint Maarten, and his character's Vogue performance at the Voodoo Carnival Ball. While the visual story of the Ball is fictional, the film is based on in-depth research into the Dutch ballroom community, and all the characters and dancers are part of the European ballroom/vogue community.
Frame from To Dress a Body

To Dress a Body, 2020, Mexico, 7 min

Directed by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
Produced by Enrique Beas
Choreography by Daniel Luis, Lissette Armendáriz, Jose Olivares, Fe Rangel
Dancing by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
Music composed by Anastasia Vronski, Sergey Cheremisinov
Cinematography by Enrique Beas
Edited by Lissette Armendáriz
Styling by Lissette Armendáriz, Daniel Luis, José Olivares, Fe Rangel
In contact with the garment. In contact with the wind. The body in contact with another body? To dress a body. The wind catalyzing the movement where the body reacts to the garment. Body - garment. Body - wind. Body - body. The static results in movement. Between stability and the action of bodies, the movement is modified. Sometimes simultaneously. The skin's color and texture is present in the steadiness, in the garment and in the space.
Frame from Migrante

Migrant Gaze (Olhar Migrante), 2020, USA and Brazil, 3 min

Directed by Ana Baer, Julia Ziviani
Produced by Bruno Harlyson
Dancing by Ayumi Hanada, Casemiro de Paula Barsalini, Cléo de Paula, Fernando Vitor, Flávia Pinheiro, Júlia Ferreira, Lais Taufic, Robson Lourenço, Victoria Travitzki
Music composed by Joaquin Lopez Chas
Filmmaker: Ana Baer
Cia Eclipse Cultura e Arte Direction by Ricardo Cardoso (Kiko Brown) e Ana Cristina Ribeiro
Groupo Dançaberta Direction by Julia Ziviani
An intimate look at the Immigrant experience focusing on issues of identity, belongingness and displacement through the language of dance. Shot in Campinas, Brazil in collaboration with Dançaberta and Eclipse Cultura e Arte.
Frame from o s t r o s s a u r o

o s t r o s s a u r o, 2016, Brazil, 6 min

Directed by Felipe Teixeira
Produced by Núcleo Mirada
Choreography by Karime Nivoloni e Liana Martins
Featuring Núcleo Mirada
Dancing by Karime Nivoloni, Liana Martins, Mariana Molinos
Cinematography by Felipe Teixeira
Three bodies become one. This being goes slowly through space, taking on different forms. Dissolution of the skin, the edges. A being that reinvents itself and integrates itself with space and its textures.
Frame from Let's Dance

Let's Dance, 2010, USA, 2 min

Produced and Directed by Malia Bruker, Oscar Molina
Choreography and dancing by Eun Jung Choi, Guillermo Ortega Tanus
Featuring Da Da Dance Project
Music composed by Dizzy Gillespie, Frank Paparelli
Music performed by Miles Davis and the Lighthouse All-Stars
Filmmaker: Malia Bruker, Oscar Molina
"Let's Dance" is a sensual black and white film that captures the relief that dance provides in everyday life.
Frame from Bad Hombre

Bad Hombre, 2020, United States, 3 min

Produced and Directed by Martin Lombard, Facundo Lombard
Choreography and dancing by Martin Lombard, Facundo Lombard
Featuring Lombard Twins
Music by Antonio Sanchez
Cinematography by Andy Cao
Camera Operation by Andy Cao, Anai Garcia Medina
Artists / performers Martin and Facundo Lombard and five-time Grammy-winning drummer / composer Antonio Sánchez, tell, through the language of music and dance, the story of a man who struggles to make his voice heard and what this can cause.

Los Perros del Barrio Colosal , 2021, United States, 12 min

Directed by Omar Román De Jesús
Choreography by Omar Román De Jesús
Dancing by Rafael Cañals, Carlos Falú Sanchez, Rachel Seacrest, Ian Spring, Christian Warner, Spencer Weidie
Filmmaker: Drew L. Brown
Costumes by Omar Román De Jesús
Through the exaggerated mannerisms of daytime television, the six characters of "Los Perros del Barrio Colosal" take us on a wild romp through the challenges of creative decision making. Diving dramatically into the adventure of an imagination yet to be physicalized, they ask us to consider the far side of the moments when our ideas threaten, with disjointed urgency, to swallow us whole.
Frame from Moving Barcelona

Moving Barcelona, 2021, United Kingdom, 6 min

Directed by Jevan Chowdhury
Choreography by Alex Ekman, Catherine Allard, Jevan Chowdhury
Featuring IT Dansa
Moving Barcelona is a magical realist dance story about the Catalonian capital, an autonomous region in the Spanish State contending with an identity crisis. A city with everything going for it is still haunted by the ghosts of its past and despite much progress, it finds itself unearthing old wounds. Narrated by celebrated actor, Pep Munné, who appeals for calm, there is a sense of reassurance that all is okay. The movement of the city however tells a different story, and he is resigned to the fact that things inevitably, are the way they are. Barcelonians, in pursuit of happiness, find themselves on a treadmill  to nowhere in a tale of modern day life. Moving Barcelona is the eighth film in an award-winning collection of works by the London-based film-maker, Jevan Chowdhury to capture the world as a stage. Life on the street in London, Paris, Brussels, Dallas, Prague, Yerevan and Athens have all been recorded in this growing canon.

Program B - in person July 5

The Infinite Ninth, 2021, Mexico, 61 min

Directed by Ricardo Yahuaca Vázquez, Jazim Meza Beltrán
Produced by Ricardo Yahuaca Vázquez
Choreography by Raúl Tamez
Featuring La Infinita Compañía
Cinematography by Juan Manuel, Yahuaca Vázquez
At the beginning of 2020, La Infinita Compañia finds itself working on La Novena Sinfonía Danza Contemporánea for the 250th anniversary of Beethoven’s birthday, then the world stopped. Raúl Tamez the director and choreographer of this dance theater play, decides to move on with the project. This documentary shows a historic moment in the life of the dancers and creators that form part of this play based on the legendary masterpiece by Beethoven, during one of the major health crises of modern times. How do you create a dance play in México under these circumstances?

Program C - virtual

Frame from Nela

Nela, 2018, United Kingdom, 3 min

Produced and Directed by Andrew Margetson
Choreography by Will Tucket
Featuring The Royal Ballet
Dancing by Marianela Nuñez
Music composed by Anthony Newley and Leslie Bricusse
Music performed by Nina Simone
Cinematography by Federico Alfonzo
Edited by David Webb
A strikingly intimate study of the great classical ballerina Marianela Nuñez as she dances to Nina Simone, choreographed by Will Tuckett.
Frame from Hug Soon Comes

Hug Soon Comes (O Abraço Logo Vem), 2020, Brazil, 2 min

Directed by Paulo Accioly
Produced by Paulo Accioly, Bagaceira Filmes, Pedro Krull
Choreography by Paulo Accioly, Jeane Rocha, Samuel Pitta
Dancing by Jeane Rocha, Samuel Pitta
Music composed by Igor Peixoto
Cinematography by Perola Pitta
The present has long been no more important than the future. Without two kisses, without forró or punch the clock. Everything is far, everyone is far, but the hug soon comes.

The Icons, 2017, United States, 4 min

Directed by Mitchell Rose
Produced by Ashley Roland, Jamey Hampton, Mitchell Rose
Choreography and dancing by Ashley Roland & Jamey Hampton
Featuring BodyVox
Music by William Goodrum
Filmmaker: Mitchell Rose
Alternative interpretations of signage from America's favorite generic couple, The Icons.
Frame from TAKE YOUR TIME

TAKE YOUR TIME, 2017, United States, 5 min

Directed by Max Sachar, Natasha Adorlee Johnson
Choreography by Natasha Adorlee Johnson
Featuring Concept o4
Dancing by Natasha Adorlee Johnson and Dalmacio Payomo
Music by Lender
Filmmaker: Max Sachar
Obstacles can sometimes pull us apart, but they can also create a force that binds us. This is the framework for this dream-like collaboration between Bay Area based indie rock band Lender, director/choreographer Natasha Adorlee Johnson, Concept o4 dancers, and Max Sachar, a feature film animation manager at Pixar. A single 5-minute choreographed shot, played backwards, follows a duet as they navigate complex obstacles and spaces.
Frame from The Wayward Wind

The Wayward Wind, 2017, United States, 4 min

Directed by Steve Delahoyde, Monica Thomas
Produced by Steve Delahoyde
Choreography by Monica Thomas
Featuring montom arts
Dancing by Angela Luem, Danielle Gilmore, Michael O'Niell
Music by Carl Sondrol
Filmmaker: Steve Delahoyde
With music by Carl Sondrol, The Wayward Wind uses movement and humor to turn the idea of the "rambling man" on its head.
Frame from Moving Dallas

Moving Dallas, 2016, United Kingdom, 8 min

Directed by Jevan Chowdhury
Produced by Beau Ethridge
Choreography by Jevan Chowdhury
Featuring Bruce Wood Dance Company
Dancing by Kimi Nikaidoh, Bruce Wood Dance Project; Nycole Ray, Dallas Black Dance Theatre; Isaiah Adams, Disko Boogie, Olga Pavlova, Paula Ulery-Reynolds, Sarita Venkatraman, Alpana Jacob, Asaf Mor, Lone Star Circus, and more
Music composed by Kye Kye
Cinematography by Beau Ethridge
Edited by Jevan Chowdhury
Eighty dancers from the Lone Star star city juxtaposed with the glassy dream that is Dallas as it stands today.