SSF @ DSA - Brazilian Films Selection
 
                  EXUFRIDA, 2019, Brazil, 6 min
Directed by Cicero Fraga
                  Produced by Silvio Cohen
                  Choreography by Raquel Karro
                  Featuring Instrumento de Ver
                  Dancing by Beatrice Martins
                  Music Composed by Luis Oliviéri
                  
                  Cinematography by Alan Schvarsberg
                  
                  
                  
                  
                  In 1997 an out-of-control truck crashed into a bus that carried part of the Flamengos gymnastics team, the base of the Brazilian national team. Beatrice Martins fractured both feet. She can no longer compete, but she turned her recovery into a dance.
                 
                  Sandbox (Caixa de Areia), 2020, Brazil, 3 min
Directed by Diogo Angeli
                  Produced by Diogo Angeli, Eduardo Pereira
                  Choreography and Dancing by Diogo Angeli
                  
                  
                  Music Composed by Diogo Angeli
                  
                  Cinematography by Eduardo Pereira
                  
                  
                  
                  
                  The Sandbox screendance reflects subjectively on human confinement/isolation. Stuck in a box, we can only deal with the traces of our own conscience.
                 
                  Covert (Encobertos), 2019, Brazil, 6 min
Directed by Lilian Graca
                  Produced by Lilian Graça
                  Choreography by A coreografia é um trabalho conjunto entre a diretora e os dançarinos.
                  
                  Dancing by Amanda Savitri, Bernardo Oliveira, Danilo Lima, Renan Bozzeli
                  Music Composed by Marcelo Sena
                  
                  Cinematography by Lilian Graça
                  
                  Concepção coreógrafica by Lilian Graça
                  
                  
                  "Covert" elaborates the idea of a "space between" in an approach that deals with the surface plane to unveil and enter the deep field of the screen. The video thus has the objective of discussing the kinesthetic involvement of the viewer, in which its focus of engagement is triggered by the dynamics between the distances and the movement of moving away and closer to the camera and the dancers. In this way, “Covert” experiences the flow between surface and screen depth as a field of perceptual and body passages.
                 
                  Dancing the limitation (Dança em tempos de limitação), 2020, Brazil, 2 min
Directed by Ayumi Hanada
                  
                  Choreography by Ayumi Hanada
                  
                  Dancing by Ayumi Hanada, Giovanna Herrera, Isabela Bertô, Marcela Cibin Ugo, Melissa Baba e Renata Paulino.
                  Music by Gustavo de Angelis
                  
                  Cinematography by Ayumi Hanada, Giovanna Herrera, Isabela Bertô, Marcela Cibin Ugo, Melissa Baba e Renata Paulino.
                  
                  
                  
                  
                  I involuntarily question myself about my limits and limitations. I provoke myself to feel them, respect them and often cross them.
                 
                  Migrant Gaze (Olhar Migrante), 2020, USA and Brazil, 3 min
Directed by Ana Baer, Julia Ziviani
                  Produced by Bruno Harlyson
                  
                  
                  Dancing by Ayumi Hanada, Casemiro de Paula Barsalini, Cléo de Paula, Fernando Vitor, Flávia Pinheiro, Júlia Ferreira, Lais Taufic, Robson Lourenço, Victoria Travitzki
                  Music Composed by Joaquin Lopez Chas
                  
                  Filmmaker: Ana Baer
                  
                  Cia Eclipse Cultura e Arte Direction by Ricardo Cardoso (Kiko Brown) e Ana Cristina Ribeiro
                  Groupo Dançaberta Direction by Julia Ziviani
                  
                  An intimate look at the Immigrant experience focusing on issues of identity, belongingness and displacement through the language of dance. Shot in Campinas, Brazil in collaboration with Dançaberta and Eclipse Cultura e Arte.
                 
                  Dancing not to forget (Dançar para não esquecer), 2019, Brazil, 6 min
Directed by Karina Almeida,
                  
                  Choreography by Karina Almeida
                  
                  Dancing by Karina Almeida and Tutu Morasi
                  Music Composed by Rodrigo Vasconcelos
                  
                  Filmmaker: Trindade Media
                  
                  
                  
                  
                  Each gesture bears memories that are updated in the here and now. Presence is a present, something that comes to life every time one dances so as not to forget.
                 
                  Erêkauã, 2021, Brazil, 1 min
Directed by Paulo Accioly
                  Produced by Estranha Força
                  Choreography by Ernane Ferreira
                  
                  Dancing by Kauã
                  
                  
                  
                  
                  OST by Igor Peixoto
                  
                  
                  Kauã dances in the hill, like a bird of prey.
                Rio Cor de Rosa, 2019, Brazil, 7 min
Directed by André Rosa
                  
                  Choreography by Clébio Oliveira
                  Featuring Companhia de Dança do Teatro Alberto Maranhão 
                  Dancing by André Rosa, Gabriela Gorges, Gustavo Santos, Juarez Moniz, Julia Vasques, Marghot Lima, Tatyelli Raulino, Will Gomes
                  Music Composed by Wim Mertens / Terje Isungeset / Antony And The Johnis / Electric President / Glen Hansard e Marketa Iglova
                  
                  Cinematography by André Rosa 
                  
                  
                  
                  
                  The body claims more than is ever its right to, intervention and alteration, it is action in constant motion, in search of different spaces, even if it suffers from the marks of the past. Memories lead us to our old dwellings, internal pains, external smiles, psychic violence and other paths. Every place, a new river and different waters.
                 
                  Street (Rua), 2019, Brazil, 3 min
Directed by Barbara Cunha, Mary Gatis
                  
                  Choreography and Dancing by Inae Silva
                  
                  
                  Music by DJ Dolores
                  
                  Cinematography by Renato Stockler
                  
                  
                  
                  
                  Looked at the living room. She saw herself in prison. A beautiful hanging cell.Forty meters from the ground. The bright blue from the box. Strange voices in the air, dulling the senses, sucking all your air. The voice emanating from the box. Tell her what to do: Food, clothes, desire. Where to go, what to think.

She goes to the street. She wants to dance. She dances naked. 

She's get in on and breaks everything. She the chaos master. There is no gas to stop Your Carnival.
                 
                  Women's Threads, 2017, Brazil, 10 min
Directed by Maria Fernanda Miranda, Paulo GCMiranda
                  Produced by Mandra Filmes
                  Choreography by Renata Lima
                  Featuring Mulheres de Linhas
                  Dancing by Maria Fernanda Miranda, Tainá Barreto, Ladyjane Macedo
                  Music Composed by MESTRE SEBASTIÃO RODRIGUES PEREIRA 
                  Music Performed by -
                  Cinematography by Diego Zanotti
                  Edited by Paulo GC Miranda
                  
                  
                  
                  In the scrublands of Gerais, amid crooked trees, flowery Ipês and airborne dust, there is a female universe of threads created and maintained by the hands of women of various ages. World of many hands. World of threads. Women of threads who, in spinning, weaving, and embroiderers, with their landscapes, webs, circles, needles and looms, their songs, create living entanglements in the form of female narratives and hand movements
                


 
       
       
       
       
       
                   
       
                   
       
                   
       
                   
       
      