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      photo by stills from film sent by Charlotte Gregory
                  Nu Body, 2016, United Kingdom, 9 min
Directed by Sonia Sabri
                  Produced by Charlotte Gregory
                  Choreography by Sonia Sabri
                  Featuring Sonia Sabri Company
                  Dancing by Sonia Sabri - Dancer/Choreographer/Artistic Director
                  Music by Sarvar Sabri
                  
                  Filmmaker: Mat Beckett - River Rea Films
                  
                  Director of Photography by Mat Beckett
                  
                  
                  A dynamic and compelling exploration of female experience across boundaries of cultures and time, representing the ongoing search for female emancipation. The film questions what the symbols and traditions of female life, from Eastern cultures in particular, mean in the modern day. The female experience is brought from the shadows to centre stage in a journey of self-discovery, exploring the light vs dark and the real vs fairytale versions of female existence. Sabri’s unique ‘Urban Kathak’ language looks at female body image -- and in particular women’s complex relationships with their own bodies -- teasing the audience with perceptions and misconceptions of the female.
                 
                  Migrant Gaze (Olhar Migrante), 2020, USA and Brazil, 3 min
Directed by Ana Baer, Julia Ziviani
                  Produced by Bruno Harlyson
                  
                  
                  Dancing by Ayumi Hanada, Casemiro de Paula Barsalini, Cléo de Paula, Fernando Vitor, Flávia Pinheiro, Júlia Ferreira, Lais Taufic, Robson Lourenço, Victoria Travitzki
                  Music Composed by Joaquin Lopez Chas
                  
                  Filmmaker: Ana Baer
                  
                  Cia Eclipse Cultura e Arte Direction by Ricardo Cardoso (Kiko Brown) e Ana Cristina Ribeiro
                  Groupo Dançaberta Direction by Julia Ziviani
                  
                  An intimate look at the Immigrant experience focusing on issues of identity, belongingness and displacement through the language of dance. Shot in Campinas, Brazil in collaboration with Dançaberta and Eclipse Cultura e Arte.
                 
                  Sound and Sole, 2018, United States, 6 min
Produced and Directed by Cara Hagan
                  
                  Choreography and Dancing by Arthur Grimes
                  
                  
                  
                  Music Performed by Tray Wellington, Old Crow Medicine Show
                  Filmmaker: Robert Uehlin
                  
                  
                  
                  
                  Arthur Grimes was born and raised in the Appalachian mountains, and is the only professionally working African-American buck dancer in Boone, North Carolina. In this short documentary, Arthur recounts his dance journey from eager youth to professional master, gives us a glimpse into his performance experience, and demonstrates his deep love for Appalachian music, dance and history.
                Jah Intervention (Intervenção Jah), 2019, Brazil, 15 min
Directed by Welket Bungué, Daniel Santos
                  Produced by Welket Bungué
                  Choreography and Dancing by Welket Bungué
                  
                  
                  Music by Walter Reis, Rádio Escada
                  
                  Cinematography by Daniel Santos
                  
                  
                  
                  
                  The intervention is a symbolic walk to exhaustion. The intervention proposes the preliminary warm-up that precedes a fight of titans in a boxing ring. The intervention consists of the movement of the performer sensing the sudden fall when affected by perforations by bullets of semi-automatic weapons.



Black people in Brazil are still more than half of the population of the country. Between 2005 and 2015 the number of black people murdered increased by 18% and this also made us the majority of homicide victims, accounting for 71% of all registered bodies. - Brazilian Forum of Public Security (2017)
                


