Sans Souci Festival of Dance Cinema, SansSouciFest.org

Sans Souci Virtual Screenings 2026
a series of screenings on our website
Fall 2026
We’re delighted to once again be able to offer online screening options for those who may not want or be able to attend in-person events. These films will become available on this page during the screening window, free of charge for the public around the world, except where noted otherwise (some films may be geographically restricted).

If you love what you see, join us if you can at the Dairy Art Center's Boedecker Cinema for an in-person screening!

Connecting Continents - available Sept 15 - Oct 15

At the Heart of Barrio Chino: Tusán Perspectives in Lima, Peru, 2026, United States, Peru, 16 min

Produced and Directed by Lenora Lee, Moyra Cecilia Silva Rodríguez
Choreography by Moyra Silva, Lenora Lee
Featuring Lenora Lee Dance
Dancing by Moyra Cecilia Silva Rodríguez, Marco Loo, Angie Chang, Lenora Lee, Jorge Black Tam, Grupo León
In this episode of Chinatown Shorts, “At the Heart of Barrio Chino: Tusán Perspectives in Lima, Chinatown” we explore Capón Barrio Chino, Lima's vibrant Chinatown, through the personal narratives of fourth-generation Chinese Peruvians, or Tusáns. Moyra Silva, Marco Loo, and Angie Chang delve into their Chinese Peruvian ancestry, connecting their professional backgrounds to their heritage. Through their stories, we gain insight into the complexities of embracing a mixed-race identity and reflection on Peruvian identity, and the resilience of the Tusán community, expanding perspectives on Chinese immigration in the Americas. This film honors the struggles and lasting cultural contributions of Chinese immigrants to Peruvian society, uplifting the perseverance of this community made up of multiracial descendants today.

Kin, 2026, Mexico, United States, 5 min

Directed by Ana Baer, Rocio Luna
Produced by Alebrije
Choreography and Dancing by Rocio Luna, Mauricio Nava, JayWAN Pattiwael
Featuring Alebrije
Music Composed by Richard D Hall
Filmmaker: Ana Baer
Dramaturgy by Claudia Fragoso
First Camera by Karl Toft
Relating in times of crisis. A site-specific screendance that explores the relationship between humanity and nature, raising awareness of ecological challenges and seeking—if only partially—to remediate damaged environments. Drawing on environmental art practices, the work opens space for dialogue about our precarious entanglement with the natural world, inviting us to reimagine and reconfigure that relationship. Inspired by Donna Haraway's posthuman theories.

Snow in Autum, 2025, Mexico, 7 min

Directed by Carlos Wong, Rogelio Arrañaga
Produced by Elias Agüero
Choreography by Rogelio Arrañaga, Ximena Covarrubias
Featuring Soloponto
Dancing by Mariana del Socorro Rocha, Luis Eduardo Garay, Carmen Herrera, Juan River, Tania Cervantes, Emily Espinoza, Jorge Celayo, Johana Aguilar, Victoria Pérez, Alejandro Arrañaga, Rogelio Arrañaga
Synopsis coming soon.

A Dance Call, 2026, Argentina, 5 min

Directed by Pablo Destito
Choreography by Agustina Videla
Featuring Social Tango Project
During a business trip, a man arrives at a hotel beside a forest. From his window, he follows the figure of a dancer disappearing among the trees and discovers a strange ritual: five couples engaged in a dance battle. Little by little, he stops being a spectator and becomes part of the collective celebration. Between reality and hallucination, the film explores the contemporary desire to escape isolation and reconnect through shared celebration.

Limbo, 2026, Argentina, 12 min

Produced and Directed by Brenda Barroero
Choreography by Andrea Pollini
Featuring Ballet por la Igualdad
The last military dictatorship in Argentina lasted from March 24, 1976 to December 10, 1983, leaving a deep impact on society. Some of the horrific figures that can be summarized are: 800 clandestine detention, torture and extermination centers, 500 stolen babies, 40,000 exiles and 30,000 missing people. In a territory where the body stops being form and becomes living memory, a group of nine dancers traces, through movement, a sensitive cartography of equality. The piece displays a choreographic framework that oscillates between fragility and collective strength, where each gesture reveals tensions, links and mutual support, dismantling hierarchies to give rise to a community in constant construction. From a contemporary perspective, "Limbo" addresses the traces of the last Argentine civic-military-ecclesiastical-business dictatorship, focusing on identity, memory and absences. Promoted from a space that articulates art and human rights, the work puts those historically invisible bodies in the foreground, turning them into protagonists of a narrative that demands freedom, diversity and full existence. The camera does not limit itself to recording: it approaches, gets involved, breathes to the rhythm of the performers, amplifying the poetic and political dimension of each sequence. The videodance is configured as a device for encounter and reflection, where the intimate and the collective intertwine to challenge the viewer and open questions about the present: which bodies are seen, which are left out, and how is a more just society built in movement?

The Flight of the Shawl, 2026, Spain, 6 min

Directed by Jaime Dezcallar
Produced by Sara Rollón Morillas
Choreography and Dancing by Manuel Liñán
Edited by Javier Baztán
Manuel Liñán is a flamenco dancer and choreographer who has transformed the art form, making it freer and more contemporary. Intellectual and deeply expressive, he combines impeccable technique with a vivid imagination. Recipient of Spain’s National Dance Award, he performs to sold-out theatres around the world, yet he feels most alive in the tablao: a space of barely twelve square metres, with the audience pressed close, where every breath can be heard and where he is compelled to sustain extraordinary focus and honesty. Without them, he could not move an audience. "The Flight of the Shawl," filmed somewhere between documentary and dreamlike journey, is a soleá performed with a bata de cola—the traditional flamenco dress with a long train—and a shawl, elements historically associated with women’s flamenco.

Organising Principles of Experience, 2025, United Kingdom, 13 min

Directed by Gabriela Tropia
Choreography by Gabriela Tropia
Featuring MayaAI_V6
"Organising Principles of Experience" is an experimental short in which an AI model, tuned to the writings and sensibilities of Maya Deren, collaborates with the filmmaker to imagine new films. It explores memory, possession, and the digital afterlife, questioning what remains when the past becomes data and how an artist might lay claim to her absent hero.

Shifting the Perspective - available Oct 16 - Nov 16

Chair Deconstruction , 2024, United States, 9 min

Directed by Amanda Jane Beane
Produced by Ambika Jain
Choreography by Emboidment Project
Featuring Emboidment Project
"Chair Deconstruction" is a two-part dance piece exploring the drama and comedy of communal healing. Part 1 explores accountability and mercy in a support-group setting. In Part 2, the dancers deconstruct reality and embody transformation by embracing their delightful weirdness.

Frost and Flame, 2025, Macao, 3 min

Directed by Lampo Leong, Yanxiu Zhao, Dan Wang
Produced by Lampo Leong
Choreography by Dan Wang
Featuring University of Macau and Jianghan University
Dancing by Changle Wang
Music Composed by Jeffery Stolet, Yanxiu Zhao
Filmmaker: Haozheng Wu, Yanxiu Zhao
Digital Ink Video, Installation and Stage Design by Lampo Leong, Yanxiu Zhao
Photography by Lampo Leong, Haozheng Wu
According to scientists, global warming may bring severe consequences to the future of humankind, and addressing this environmental crisis requires the collective effort of people across all nations. The digital ink–generated video art installation and dance performance “Frost and Flame” employs the textures of ink painting techniques and a visual language of geometric abstraction, combined with a color transition from cold to warm and a stylistic shift from structured geometry reminiscent of frozen ice to gestural abstraction evocative of water and fire. Together, these elements metaphorically portray the transformation of glacial ice as it melts—from frost to flame—issuing an urgent warning to humanity. In the final sequence, the re freezing of the text credit symbolizes the hope that, through unified human action, restoration remains possible. The integration of ink painting with environmental consciousness not only brings this classical art form into contemporary discourse on global ecological issues, but also allows Chinese cultural aesthetics to manifest renewed vitality in the digital era. Meanwhile, the immersive installation and dance performance reflect the profound wisdom embedded in classical Chinese culture and underscore the responsibility borne by humanity today.

Dayshift, 2025, United States, 3 min

Produced and Directed by Zéré Turlykhanova
Choreography and Dancing by Sara Joel
While cleaning a pole dance studio, a middle-aged woman drifts from routine into reverie.

Akar Dan Jejak: Roots and Traces, 2026, Indonesia, 5 min

Directed by JayWAN Pattiwael, Ana Baer
Produced by Ana Baer
Choreography by JayWAN Pattiwael
Music Composed by Gordon Jones
Filmmaker: Ana Baer
Sound Design and Mixing by Richard D Hall
An intimate portrait of JayWAN’s birthplace, seen through an embodied practice of belonging.

Joy ~ Sorrow ~ Hope, 2025, United States, 5 min

Directed by Lindsay Gauthier
Produced by Satya Gontcho A Gontcho
Choreography and Dancing by Satya Gontcho A Gontcho
Concept by Satya Gontcho A Gontcho
Drawing on the inspiring verse of 13th-century Sufi poet Shams of Tabriz, this short dance film weaves Odissi dance with an original music composition to explore resilience — not as endurance, but as transformation. Choreographed and performed through the refined vocabulary of Odissi, one of India's oldest classical dance forms, the work places ancient spiritual poetry in direct dialogue with contemporary emotional experience. The cycle of sorrow and joy is rendered not as narrative, but as embodied knowledge — moving through the body as Shams' words move through one's inner world. The original score bridges Eastern and Western sensibilities, anchoring the film in a sonic world that is at once intimate and expansive. At its heart, the film is a meditation on hope as a transcendental force — not contingent on circumstance, but woven into the fabric of existence itself.

Duality, 2025, Lithuania, 2 min

Produced and Directed by Erika Skyte
Choreography and Dancing by Erika Skyte, Timea Szalontay
Music Composed by Anthony Sheldon (river river)
Cinematography by Lucas Fisher-Horas
Conversation between order and chaos. The self we present and the one we supress.

Dream's Descent , 2025, South Africa, 10 min

Directed by Sara Gouveia, Inka Kendzia, Gregory Maqoma
Produced by Sara Gouveia
Choreography by Gregory Maqoma
Dancing by Gregory Maqoma, Lihle Mfene, Zinhle Purity Mkhize
Music Composed by Mr Sakitumi
Music Performed by Odwa Bongo
Cinematography by Motheo Moeng
Edited by Sara Gouveia
Written by Sara Gouveia, Inka Kendzia
Costumes by Zinhle Purity Mkhize
"Dream’s Descent" is a hauntingly surreal dance film that traces the journey of a solitary dancer as he navigates a dreamlike landscape fractured by memory, identity and desire. Drawn into a shifting world where time dissolves and space contracts, he encounters fragmented versions of himself, each embodying a suppressed emotion, forgotten trauma or repressed aspiration. Through ritualistic choreography and symbolic confrontations, these encounters blur the line between self and shadow. As the dancer spirals deeper into the labyrinth of his subconscious, the movement becomes a language of reckoning. The film is not about conquering the self, but integrating it, emerging not whole, but awakened, transformed by the very fragmentation that once threatened to undo him and ready to face whatever comes next.

Monarch Migration, 2026, United States, 8 min

Directed by Megan Brooke Brandel, April Frame
Choreography by Megan Brandel
Dancing by Open Arms Dance Project
ASL poem composer by Harriett Jastremsky
Revel in the majestic beauty of "Monarch Migration’s" kaleidoscope of butterflies. Movement created by Open Arms Dance Project’s diverse dancers helps teach, partly through American Sign Language, how to support habitat for dwindling monarch butterfly populations. This budget was informed by a collaboration with a City of Boise, Idaho biologist and librarian as part of the Boise Mayor's Monarch Pledge.

Going on Strike, 2025, Canada, 14 min

Directed by Chélanie Beaudin-Quintin
Produced by Pierre Villepelet
Cinematography by Jonathan Auger
Edited by Victor Saliba
Art Direction by Geneviève Boiteau
A dance film celebrating solidarity in protest and the strength of a group in revolt.

《Yellow Sand》, 2025, China, 3 min

Choreography by 黄潇
Featuring Hello Dance
Based on Wang Changling's frontier poem "From the Army," the film tells the story of war during the prosperous Tang Dynasty in China. Torches illuminate the depths of the cave, revealing ancient cave paintings that vividly depict the alternation of prosperity and war, recording the lives of early humans. When prosperity collides with war, countless small families are torn apart. At the end of the film, a white image symbolizes civilization, though it is cyclical, the club of life is reborn from destruction. So, what exactly has war brought to the world? It has prompted people to think.

Documenting Our Times - available Nov 17 - Dec 17

Barefoot Boy, 2025, United States, 96 min

Produced and Directed by Stéphane Glynn, Jared Ruga
Choreography by Bill Evans
Featuring Repertory Dance Theater and Bill Evans Dance Company
Cinematography by Patrick Ryan Gass
Executive Production by Frankie Grande, Jonathan M Ruga
Set against the panoramic backdrop of Salt Lake City, "Barefoot Boy" offers a cathartic exploration of art, identity, and resilience. As we are introduced to Bill Evans, a trailblazing choreographer, the film immediately transports us to an era and locale where being LGBT led nowhere good. Born in 1940s Lehi, Utah—an ultra-conservative farming outpost of Salt Lake City—Bill’s early years were marred by feelings of isolation and ostracism. But, his passion for dance became an escape, a form of self-expression, and a source of financial independence from his poverty-stricken family.[CR][CR]From serving in the U.S. Army in Kentucky (where he sustained a nearly career-ending ankle injury) all the way to dancing with the Joffrey Ballet in New York City, Bill went on to found his own company, The Bill Evans Dance Company—which became the most-booked dance company in America. Bill’s winding path eventually led him back to Utah, where he became an integral part of the young, innovative Repertory Dance Theatre. Underneath all of the acclaim and success, Bill grappled with abandonment, insecurity, and a sense of worthlessness. He constantly fought to reconcile his queer identity with the prevailing Mormon faith of his community—he felt that he needed to suppress his true self simply to survive. He hid who he was—married a woman, had a kid—all before truly feeling empowered to embrace his queer identity. Now, at 82, Bill returns to Salt Lake City for his most challenging performance yet: a career-defining retrospective with the Repertory Dance Theatre, the same company that launched his choreographic career. Aiming to bridge generational divides, he endeavors to teach his time-capsule choreography to a new generation of dancers. But times have changed, and haunting echoes of Bill’s past threaten its success. Can he pull off the biggest performance of his life and inspire a new generation of modern dance, or will the pressures put an end to his illustrious career?

Blind Date, 2025, United States, 90 min

Produced and Directed by Howard Silver
Choreography by Rashaun Mitchell & Jodi Melnick
Featuring New York City Ballet, Merce Cunningham Dance Company, Twyla Tharp Dance
Dancing by Sara Mearns, Sterling Hyltin, Rashaun Mitchell & Jodi Melnick
Additional Cinematography by Scott Sinkler
Two star dancers in New York City Ballet, Sara Mearns and Sterling Hyltin, have been paired in an experimental program with 2 "downtown" experimental choreographers, virtuosic Jodi Melnick and former Merce Cunningham dancer, Rashaun Mitchell. Outside of ballet, Sara and Sterling have had no exposure to experimental dance apart from seeing one Cunningham work. They've met very sporadically over the course of months because of NYCB schedules and now have very little time to put together a performance. Started almost ten years ago, this project presented an amazing opportunity to document 4 incredible dancers, their process and struggles as they attempted to bring together their talents to create a performance. One choreographer and one ballet dancer resistant to the project grows as their deadline looms. Unexpectedly at the end of the process, a lasting and evolving set of relationships that have grown and produced – and continues to produce – several works among them.