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                  Letter, 2017, Slovenia, 4 min
Produced and Directed by zeljko bozic
                  
                  Choreography by zeljko bozic
                  Featuring kazina
                  Dancing by ANA KATANE, ANDRAŽ GRULJA, ANISA KETE, EVA MRHAR, HANA HUČ, JAKOB HORVAT, KAJA ELSNER, NIKA FUGINA, NIKA ZUPANČIČ, NINA ZABUKOVNIK, MATIC DOLINAR, MILJAN NOJIĆ, PETRA STAMENKOVIĆ, ŽELJKO BOŽIĆ
                  Music by zeljko bozic
                  
                  Cinematography by saso stih
                  Edited by zeljko bozic, nikola janusic
                  Director of Photography by saso stih
                  
                  
                  "Letter" deals with issues of self-esteem and self worth. These insecurities are dealt with daily but often left unspoken, since they are widely considered a weakness. The author reveals his own doubts to point out that we are in this together.
                 
                  Cubed, 2017, United States, 3 min
Directed by Mitchell Rose
                  Produced by Mitchell Rose, Susan Van Pelt Petry, Shane Mecklenburger
                  Choreography and Dancing by Ashley Roland & Jamey Hampton
                  Featuring BodyVox
                  
                  Music by William Goodrum
                  
                  Filmmaker: Mitchell Rose
                  
                  
                  
                  
                  This digital dance-film—a cubist reimagining of the body—explores metaphors for human boundaries and separation.
                Akasha, 2017, Switzerland, 5 min
Directed by Sean Wirz
                  Produced by Hannah Rocchi, Sean Wirz
                  Choreography by Sean Wirz/Hannah Rocchi
                  Featuring none
                  Dancing by Jelena Pfister, Simon Progin, Annina Biesold, Nadir Josi
                  Music by edIT/The Glitch Mob (Los Angeles)
                  
                  Cinematography by Sean Wirz/Jean-Christophe Dupasquier
                  Edited by Sean Wirz
                  
                  
                  
                  "Akasha: the all-embracing fifth element. It moves effortlessly on the shores of the world. It overcomes gravity, explores the deepest of waters and fuels with its power the eternal flame of life. Akasha knows no space, no time, no fixed form.

This high-tension dance short offers the viewer a surreal encounter with the sovereign of earth, air, water and fire. Akasha is embodied by four different performers who move to the futuristic song Ants by Los Angeles based musician edIT. His quintessential electronic music contrasts heavily with the metaphysical theme of the film. The result is a vibrant and ephemeral glimpse into the powers of the universe."
                 
                  AMA, 2018, France, 7 min
Directed by Julie Gautier
                  Produced by Spark Seeker, Les Films Engloutis
                  Choreography by Ophélie Longuet
                  
                  Dancing by Julie Gautier
                  Music Composed by Ezio Bosso
                  
                  Cinematography by Jacques Ballard
                  Edited by Jérôme Lozano
                  
                  
                  
                  The rain falls like so many tears on a young woman dressed in a little black dress. We dive into her eyes as we dive into her soul drowned by sorrow. At the bottom of the water, the woman, lying on the floor, gently up and begins to dance.
                 
                  Snow Melt, 2018, United States, 4 min
Directed by Carrie Richer
                  Produced by Hole Dance Films
                  Choreography and Dancing by Kate Kosharek
                  Featuring Hole Dance Films
                  
                  Music by Scott Joplin
                  
                  Filmmaker: Carrie Noel Richer
                  
                  
                  
                  
                  Winter is long in Wyoming and the Spring melt always takes a long time to come around. Sometimes, one has to take that melting process into one's own hands. 
                 
                  The Storm, 2018, United States, 5 min
Directed by Chafic Saad
                  
                  Choreography by Evie Ladin
                  Featuring MoToR/dance
                  Dancing by Nuria Bowart, Linda Carl, Tammy Chang, Alyssa De Caro, Valerie Gutwirth, Evie Ladin, Mira Manickam, Sandrine Monlezun, Diana Strong
                  Music Composed by Lotus Dickey/arr. Evie Ladin
                  Music Performed by MoToR/dance
                  Cinematography by Chafic Saad/KindMotion
                  Edited by Kris Lee/KindMotion
                  
                  
                  
                  In these contentious and unstable times, with potential destruction seemingly so near, or unpredictable, we know that diverse perspectives, love, and community activism and connection is what gives us hope and perseverance. Using nothing but the sonic qualities of the human body moving in space, MoToR/dance body music choirographies emphasize what we have when we strip the world down to only ourselves, having to deal with each other, making our own soundtrack to our thoughts.
                 
                  Movement Never Lies, 2017, France, 4 min
Produced and Directed by Angèle Methangkool-Robert
                  
                  Choreography and Dancing by Angèle Methangkool-Robert
                  
                  
                  Music Composed by J.S. Bach
                  Music Performed by Ophélie Gaillard (Label Aparte Music)
                  Cinematography by Valentin Williet / Célestin Monteil / Hugo Camusso
                  Edited by Valentin Williet - Angèle Methangkool-Robert
                  
                  
                  
                  A dance floor as a giant canvas and my own body as a paintbrush. With this project, I wanted to explore transdisciplinarity in art, by making a parallel between dance and calligraphy. In both domains, the movement is the most important. 

To draw a beautiful letter, the calligrapher must have a perfect hand gestural. More generally, gestural that we can see in any hand writing is telling something from the one who wrote it. Dancers are telling things with body, gestural, and movements. The way someone is moving tells a lot about him/her. To support this reflexion, I have decided to use a citation of the choreographer Martha Graham: "Movement Never Lies."
                 
                  Freefall, 2012, UK, 3 min
Directed by Sima Gonsai and Babis Alexiadis
                  Produced by Mencap
                  Choreography by Lee Fisher
                  Featuring Freefall Dance Company
                  
                  Music Composed by Richard Syner
                  
                  Cinematography by Sima Gonsai and Babis Alexiadis
                  Edited by Sima Gonsai
                  
                  
                  
                  Lovely, simple, and compelling, this film highlights the work of the disabled dance company Freefall.
                Down for the Count, 2015, USA, 5 min
Directed by Erika Randall and Daniel Beahm
                  
                  Choreography by Teena Marie Custer
                  
                  Dancing by Teena Marie
                  Music by Andy Hasenpflug
                  
                  Cinematography by Daniel Beahm
                  Edited by Jonas Bendsen
                  Costume Design by Markas Henry
                  Script by Erika Randall
                  
                  In this 70s flavored Hip Hop Dance Theatre piece, b-girl Teena Marie, chameleoned as four distinct characters, fights a battle of wills and skills against herself.
                 
                  Cocoon, 2013, Finland, 3 min
Produced and Directed by Petri Ruikka
                  
                  Choreography by Anni Alitalo, Heidi Karjalainen, Petri Ruikka
                  
                  Dancing by Anni Alitalo, Heidi Karjalainen
                  Music Composed by Markku Mäkelä
                  
                  Cinematography by Tuukka Ylönen
                  Edited by Petri Ruikka
                  Costume Design by Kirsi Gum
                  Make-up by Elisa Uimonen
                  
                  An aesthetic exploration of underwater movement in billowing costume.
                 
                  Groggy Grugg, 2018, United States, 4 min
Produced and Directed by Conor C. Long
                  
                  Choreography by Brianna Lopez
                  Featuring University of Utah Screendance
                  Dancing by Grugg
                  Music by William Cannon
                  
                  Filmmaker: Conor C. Long
                  
                  
                  
                  
                  A claymation screendance short film about that terrible every day struggle to get out of bed for that first delicious cup of coffee. 
                


 
       
      