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                  How it Feels, 2019, United States, 30 min
Directed by Amy O'Neal, Kyle Seago
                  Produced by Amy O'Neal
                  Choreography by Amy O'Neal and the dancers
                  
                  Dancing by Alfredo "Free" Vergara, Fever One, Mozes Lateef Saleem, Michael O'Neal Jr, Brysen "Just Be" Angeles, Robert Eyerman, Jenay Anolin
                  Music by Waylon Dungan aka WD4D
                  
                  Filmmaker: Kyle Seago
                  
                  Opposing Forces Concept, Direction, and Co-Choreography by Amy O'Neal
                  Dramaturgy by Marc Bamuthi Joseph
                  
                  This film follows the tour, evolution, and closing of of Amy O'Neal's eighth acclaimed evening length show, Opposing Forces, which explores fears of feminine qualities in our culture through the masculine dance form of Breaking with five world renowned Bboys from Seattle, WA.
                 
                  Movement in Structure, 2018, United States, 4 min
Directed by Shaun Clarke
                  
                  Choreography and Dancing by John Lam
                  
                  
                  Music Composed by Lucas Vida
                  
                  Cinematography by Daniel Jacobs
                  Edited by Shaun Clarke & John Lam
                  
                  
                  
                  A short dance film exploring the relationship between a dancer and the space he performs in.
                 
                  Vestiges, 2019, United States, 7 min
Directed by Mary Fitzgerald, Eileen Standley
                  Produced by Dmitri Von Klein
                  Choreography by Mary Fitzgerald, Eileen Standley
                  
                  Dancing by Taimy Miranda, Joan Rodriguez
                  Music by Casey Farina
                  
                  Filmmaker: Dmitri von Klein
                  
                  
                  
                  
                  Vestiges is a collaborative dance/animation film that explores the multiple ways of imagining legacies of the moving body. The piece delves into questions about what the body leaves behind as it ages – metaphorically speaking, and in terms of the objects we create in the realm of dance and digital arts. 
                 
                  SOHAM - The Swan, 2019, India, 6 min
Directed by Usha Rajeswari 
                  Produced by Divya Devaguptapu
                  Choreography and Dancing by Divya Devaguptapu
                  Featuring Divya Devaguptapu
                  
                  Music Composed by Ranjani Ramakrishnan
                  Music Performed by Ranjani Ramakrishnan, Prithvi Chandrasekhar, Abhinandan Ramakrishnan, Sunil Kumar
                  Cinematography by Shiva GRN
                  Edited by Usha Rajeswari
                  
                  
                  
                  In the West, Swan Song is an idiom often used to denote a final act or performance, in reference to the beautiful song the swan is believed to sing right before death. In contrast, the East perceives the Swan (Hamsa in Sanskrit) as a symbol of supreme consciousness – of life and freedom. The Swan is a homeless free wanderer, that swims on the surface of the water and soars into the air; at ease in both and not bound to either.  In this film, the iconic ballet Dying Swan becomes a point of departure - compositionally, choreographically and metaphorically. SOHAM is the Immortal Swan Song of the East, performed in the movement language of Bharatanatyam (Indian Classical Dance) and a soundscape of Carnatic Music (Indian Classical Music).
                 
                  Bloom, 2018, United States, 9 min
Produced and Directed by Yelena Konetchy
                  
                  Choreography by Aurelio Planes and Inna Grudtcina
                  
                  Dancing by AJ Garcia, Aurelio Planes, Inna Grudtcina, Jack Anthony Dunlap II
                  Music Composed by Nathaniel Earl
                  
                  Cinematography by Peter Klemek
                  Edited by Vanessa Pla, Thomas Knox, and Yelena Konetchy
                  
                  
                  
                  In a modern, overly-trinketed living room, a child tinkers with her various excessive collections. The space is repositioning around her, sculpted by a task-consumed group of masked personas, intersecting each other’s pathways in perfect, non-colliding harmony. Several realities are existing in conjunction. The child is left to question which of these realities will ultimately serve her.
                 
                  Sound and Sole, 2018, United States, 6 min
Produced and Directed by Cara Hagan
                  
                  Choreography and Dancing by Arthur Grimes
                  
                  
                  
                  Music Performed by Tray Wellington, Old Crow Medicine Show
                  Filmmaker: Robert Uehlin
                  
                  
                  
                  
                  Arthur Grimes was born and raised in the Appalachian mountains, and is the only professionally working African-American buck dancer in Boone, North Carolina. In this short documentary, Arthur recounts his dance journey from eager youth to professional master, gives us a glimpse into his performance experience, and demonstrates his deep love for Appalachian music, dance and history.
                 
                  Nela, 2018, United Kingdom, 3 min
Produced and Directed by Andrew Margetson
                  
                  Choreography by Will Tucket
                  Featuring The Royal Ballet
                  Dancing by Marianela Nuñez
                  Music Composed by Anthony Newley and Leslie Bricusse
                  Music Performed by Nina Simone
                  Cinematography by Federico Alfonzo
                  Edited by David Webb
                  
                  
                  
                  A strikingly intimate study of the great classical ballerina Marianela Nuñez as she dances to Nina Simone, choreographed by Will Tuckett. 
                


