Sans Souci Festival of Dance Cinema, SansSouciFest.org

"Dance is Like a Fine Wine" Dance Film Screening


Dance is Like a Fine Wine - April 22 at The Collective

Rebirth, 2020, United States, 5 min

Directed by Łukasz Zięba, Andrzej Belina Brzozowski
Produced by ACE Dance Concept, Łukasz Zięba, Stypendium Twórcze Miasta Krakowa
Choreography and dancing by Łukasz Zięba
Featuring Danica Paulos
Music composed by Mateusz Bazgier, Nathan Prillaman
Cinematography by Andrzej Belina Brzozowski
Edited by Filip Kowalski
Drone and Underwater Camera by Marcin Zięba
Music Production by Nathan Prillaman
"Rebirth" takes us on one man's journey through the evolution of consciousness by connecting with the elements and Nature's metaphysical powers.
Frame from WECreate Spaces - Morelia

WECreate Spaces: Morelia, 2020, Mexico, 4 min

Directed by Ana Baer, Heike Salzer
Produced by WECreate Productions
Choreography by Rocio Luna, Heike Salzer
Featuring Rocio Luna, Heike Salzer
Music composed by Christian Alexander Cruz Lineros
Filmmaker: Ana Baer
In "WECreate Spaces: Morelia" the artists explore the urban landscapes of Morelia, Mexico, a city that exemplifies the dichotomy found in colonial places featuring the eclectic richness of their architecture and the dilapidated parts of the town. Tuning into the environment through improvisation, the dancers, camera-person and musician create a collaborative knowledge that illuminates their multi-layered sensibility of understanding the world through the body. Generating affective spaces, highlighting the artist’s relations to environment, artist to artist and artist to locals. The serendipitous encounters with the passers-by add a flavour that transforms the usual into extraordinary, portraying the tonality, mood and atmosphere of this joyful and vibrant place.
Frame from How to Sink a Paper Boat

How to Sink a Paper Boat, 2019, Ireland, 13 min

Directed by David Bolger
Produced by Sarah Latty, Bridget Webster
Choreography by David Bolger
Featuring Ivonne Kalter, Daniel Reardon
Music composed by Michael Fleming
Cinematography by Russell Gleeson
Edited by Róisín O'Donnell
Written by David Bolger
Production by CoisCéim Dance Theatre
A tale of lost letters & paper boats. From acclaimed Irish dance company CoisCéim Dance Theatre, the film delves into the mysteries of the sea – as events of Dublin Bay’s past collide with the present, bringing history to life in a bold, physical short film. Hundreds of lives and letters were lost at sea when mailboat RMS Leinster was torpedoed in Dublin Bay. In "How to Sink a Paper Boat" this devastating past collides with the present when two people meet. Out for a walk along the sea wall, Cora comes across a letter in the water that beckons her to a lighthouse and its keeper, Michael. Her arrival propels the historical event into our time in an emotional embodiment of a tragedy at sea.
Frame from Listening Tree

Listening Tree, 2020, United States, 1 min

Directed by Darren Johnson
Choreography and dancing by Ananya Chatterjea
Cinematography by Darren Johnson
A tree on the banks of the Mississippi: What stories does it hold? Multiple branches embedded in our environment, Listening Tree affirms our relationality with life-forces of our world.

Wake, 2020, United Kingdom, 8 min

Produced and Directed by Katie Beard, Naomi Turner
Choreography by Liv Lockwood
Featuring Sarah Farrow-Jones
Music composed by Ben Glass
Cinematography by Sam Finney
Edited by Katie Beard
Executive Production by Brian Gowenlock, John Huckstep
"Wake" is a short dance film which explores and responds to modern attitudes around loss and grief, taking inspiration from different rituals and funeral traditions from around the world. Filmed on the stark and shifting terrain of Dartmoor, "Wake" steers us through ones woman’s journey of grief.
Frame from I Modh Rúin

I Modh Rúin, 2017, Ireland, 11 min

Directed by Ríonach Ní Néill
Produced by Ciotóg
Choreography by Ríonach Ní Néill
Dancing by Sibéal Davitt, Ciara Nic Einrí, Máire Nic Fhinn, Emma Fitzgerald, Máire Uí Fhlatharta, Úna Ní Fhlatharta, Proinsias Uí Ógartaigh, Emma Verling
Filmmaker: Luca Trufarelli
What would compel you to go against the status quo and bring up your family as Irish speakers in English-speaking Ireland of the 1950s to 1980s? In "I Modh Rúin" ("In Secret"), Ríonach Ní Néill blends film, dance, interviews and music to tell the story of five women who did just that.
Frame from Root, Grow, Release, Repeat

Root, Grow, Release, Repeat, 2021, United States, 9 min

Directed by Megan Brandel, April Frame
Featuring Open Arms Dance Project
Cinematography by April Frame
The choreography and natural movement of twelve physically and neuro-diverse dancers, ages eight to seventy-four, blooms, flys, and flows on a journey through the Idaho Botanical Garden. This heartwarming story unfolds with poetic descriptions that create an accessible experience for all viewers, including those who are blind.

This Breath Together, 2021, United States, 12 min

Directed by Michelle Bernier
Produced by Michelle Bernier, Thomas Wingerd
Dancing by Danielle Garrison, Keith Haynes, Sarah Harrison, Bridget Heddens, Vivian Kim Gina Medina, Emma Michaux, Alex Milewski, Peg Posnick, Jessica Riggs, Gwen Ritchie, Marla Shultz, Luciana da Silva, Alfred Smith, Briana Smith, Nancy Smith, Miah Yager
Music composed by Kristen Demaree, Sean Connolly, Dudu Fuentes
Edited by Michelle Bernier
Director of Photography by Jesse Rarick
Poetry by Brooke McNamara
Sans Souci’s Community Dance Film Project was created to engage Boulder artists of many genres to inspire our local community to recognize all we have to offer. Each dancer was paired one of the City of Boulder’s most iconic outdoor sites and asked to create movement responding to that location along a theme: “The first fresh breath in a long time.” Emerging from their spring 2020 quarantines, they reconnected with their own dance-deprived bodies, and brought their uniqueness and presence to each space, activating it with movement. The work encompasses ballet, tap, contemporary, house, waacking, aerial dance, and samba; artists hired included BIPOC and LGBTQ performers, those with disabilities, and dancers on the older end of the age spectrum.
Frame from This Breath Together

This Breath Together, 2021, United States, 12 min

Directed by Michelle Bernier
Produced by Michelle Bernier, Thomas Wingerd
Dancing by Danielle Garrison, Keith Haynes, Sarah Harrison, Bridget Heddens, Vivian Kim Gina Medina, Emma Michaux, Alex Milewski, Peg Posnick, Jessica Riggs, Gwen Ritchie, Marla Shultz, Luciana da Silva, Alfred Smith, Briana Smith, Nancy Smith, Miah Yager
Music composed by Kristen Demaree, Sean Connolly, Dudu Fuentes
Edited by Michelle Bernier
Director of Photography by Jesse Rarick
Poetry by Brooke McNamara
Sans Souci’s Community Dance Film Project was created to engage Boulder artists of many genres to inspire our local community to recognize all we have to offer. Each dancer was paired one of the City of Boulder’s most iconic outdoor sites and asked to create movement responding to that location along a theme: “The first fresh breath in a long time.” Emerging from their spring 2020 quarantines, they reconnected with their own dance-deprived bodies, and brought their uniqueness and presence to each space, activating it with movement. The work encompasses ballet, tap, contemporary, house, waacking, aerial dance, and samba; artists hired included BIPOC and LGBTQ performers, those with disabilities, and dancers on the older end of the age spectrum.

Dance is Like a Fine Wine - November 4 at The Collective

Unfurling the Wings Within, 2022, United States, 3 min

Directed by Samuel Tomatz
Choreography by Samuel Tomatz, Merlyn Holmes
Featuring Creativity Alive
Dancing by Merlyn Holmes, Kathryn Aronson, Chelsea Magyar
Music composed by Richard Turco
With all our natural, human desire to "fly" in all that metaphoric glory, it can be a mystery where and how we can access our wings to do so. Imagine your wings now (whether visible or not) and how it might feel to unfurl them, maybe as you squeeze your shoulder blades together. Where do the wings seem to come from? Is it the shoulder blade itself? Or is it maybe deeper within?

The Area, 2014, Ireland, 26 min

Directed by Ríonach Ní Néill & Joe Lee
Choreography by Ríonach Ní Néil
Featuring Ciotóg
The Macushla Dance Club for the over-50s is a motley group of people from Dublin's north inner city, with a common love of dancing. They've climbed out of bedroom windows, and sneaked in back doors, to dance. They've danced on pianos, in backyards, up stairs and in cellars -- wherever and whenever they could. This is their story. Their lives are written on Dublin's streets. They've seen buildings go up and fall down, but they've excavated their memories from under car-parks, tenements and half-built ruins, to share their lives, loves, losses, and most of all, their irrepressible joy for life.
Frame from Imágenes de una Realidad (Images of a Reality)

Imágenes de una Realidad (Images of a Reality), 2020, Mexico, 4 min

Directed by Ana Baer, Cecilia Appleton
Produced by Baer Productions
An intimate view at an intergenerational family living in one of the largest cities in the world. Filmed on location in Mexico City.
Frame from Sitting, with Plastic

Sitting, with Plastic, 2021, United States, 9 min

Directed by Shawn Hove
Choreography by Lisa Race
Featuring Race Dance & shove gently dance/theater
In sitting with plastic, collaborators Lisa Race and Shawn Hove interrogate Race’s reckoning with an aging dancing body. Through Hove’s questioning and set, and Race’s alternately tense gripping, then airily floating movement, the film exposes a disconnect between an external view of oneself increasingly not matching the internal view we sometimes carry of ourselves as we age.

Back Home, 2020, Italy, 1 min

Directed by Luca Di Bartolo
Choreography by Giorgia Damasco
How big is our vital space? What shapes, sounds and colors can it acquire? Through a constant search for opposites (light / dark, full / empty, sleep / wakefulness), "Back Home" looks at emotional perception as a vital parameter, admitting its subjectivity of manifestations in relation to the present.
Frame from Hiraeth

Hiraeth , 2022, United Kingdom, 6 min

Produced and Directed by Jayne Lee
Choreography by Jayne Lee
Edited by Amanda Kapp
Hiraeth is a Welsh noun which means "a spiritual longing for a home that perhaps never was." Nostalgia for ancient places to which we cannot return. It is the echo of the lost places of our soul's past and a grief for them. It is in the wind, the trees, the clouds, the rocks and the waves. It is nowhere it is everywhere. Filmed by dancer, choreographer, Jayne Lee during the pandemic mostly in 2020.
Frame from In Pursuit of Joy: A Screendance BBQ

In Pursuit of Joy: A Screendance BBQ, 2019, United Kingdom, 9 min

Directed by Omari Carter
Produced by The Motion Dance Collective
Choreography by Omari 'Motion' Carter
This film has been developed through the exploration of the cultural, universal and individual joy of each performer. Inviting the viewer to experience an embodied feeling of joy through dance, home-movie inspired cinematography and montage editing. Resulting in the presentation of a new harmonic, between a naturally occurring and performed expressions of joy.

Let Them Eat Cake!, 2022, United Kingdom, 10 min

Directed by Avatâra Ayuso
Produced by AWA DANCE
Choreography by Avatâra Ayuso
"Let Them Eat Cake! "is a dance film on girl empowerment, where three teenagers rebel against how society dictates how they see themselves. In "Let Them Eat Cake!" the three characters transform from being "perfect girls" to agents of change by embracing who they really are.
Frame from 正念 - Now

正念 - Now, 2021, China, 4 min

Directed by Robin Mahieux
Produced by Jacob Jonas, Vany Sun, Somewhere Magazine
Choreography by Gypsy Snider
Featuring Jacob Jonas
A woman, who deeply sleeps inside the limbs of her past, amongst the rubble of a previous life. She awakens to the fullness of the present moment, stepping into now, forsaking the past, and mindfully moving into the future. "正念 - Now" is a contemplation dancing piece that celebrates the spirit of living in the present, with mundane lives and destroyed places in Shanghai that many barely notice as the backdrops.

Kids+Dance+Film - July 9 at Lafayettte Public Library

Frame from Elon + Emmanuelle

Elon + Emmanuelle, 2012, USA, 7 min

Directed by Natalie Galazka
Produced by Natalie Galazka & Melissa C. O'Brien
Choreography and dancing by Elon Höglund & Emmanuelle Lê Phan
Music by Garth Stevenson
Cinematography by Melissa C. O'Brien
Edited by Ross Baldisserotto
Charmed dancers observe their own duet in a magical street art fantasy.
Frame from Tap Graffiti

Tap Graffiti, 2016, USA, 3 min

Directed by Geoffrey Goldberg
Produced by Geoffrey Goldberg - New Movie Musical productions
Choreography by Geoffrey Goldberg
Dancing by Geoffrey Goldberg and Seth Judice
Cinematography by Bill Simmers / WillyMac Studios Carla McDonald / Find Memphis
Edited by Geoffrey Goldberg
An impromptu tap routine in a graffiti-covered abandoned warehouse in downtown Memphis.
Frame from Root, Grow, Release, Repeat

Root, Grow, Release, Repeat, 2021, United States, 9 min

Directed by Megan Brandel, April Frame
Featuring Open Arms Dance Project
Cinematography by April Frame
The choreography and natural movement of twelve physically and neuro-diverse dancers, ages eight to seventy-four, blooms, flys, and flows on a journey through the Idaho Botanical Garden. This heartwarming story unfolds with poetic descriptions that create an accessible experience for all viewers, including those who are blind.
Frame from Earth Poem

Earth Poem, 2015, USA, 3 min

Directed by Gabriel Bienczycki
Produced by The Equus Projects
Choreography by Gabriel Bienczycki, JoAnna Mendl Shaw
Featuring The Equus Projects
Dancing by Tal Adler, Jenna Pollack, Audrey Rachelle Stanley
Music by Jami Sieber
Filmmaker: Gabriel Bienczycki
Poem by Ewa Bienczycka
The Equus Projects, Artistic Director by JoAnna Mendl Shaw
A dancer in a poetic, kinetic dialogue with an equine partner (filmed in Elizabeth, Co.).
Frame from Samskara

Samskara, 2020, United States, 7 min

Directed by Angela Rosales Challis
Produced by Chelsea Alley, Heather Francis
Dancing by Joseph Run Through, Delfine Uwimbabazi, Jyothsna Sainath, Jamaika, Sebastian Forbes, Akiko Kaneshiro, Joshua Perkins, Presley Fewkes, Sheyenne Utai
Written by Angela Rosales Challis, Conor Long
Cinematography by Walter Mirkss
An abstracted film to contribute to the fight against racism. As an immigrant, I have experienced it first hand. This film showcases the beauty and richness of humanity. Nine cultures unite to make art. The dancers will tell you what brings humanity together. We must come together. This project was funded by the Utah Film Commission, Utah Division of Arts and Museums, and BYU Arts Partnership.
Frame from Dancing the limitation

Dancing the limitation (Dança em tempos de limitação), 2020, Brazil, 2 min

Directed by Ayumi Hanada
Choreography by Ayumi Hanada
Dancing by Ayumi Hanada, Giovanna Herrera, Isabela Bertô, Marcela Cibin Ugo, Melissa Baba e Renata Paulino.
Music by Gustavo de Angelis
Cinematography by Ayumi Hanada, Giovanna Herrera, Isabela Bertô, Marcela Cibin Ugo, Melissa Baba e Renata Paulino.
I involuntarily question myself about my limits and limitations. I provoke myself to feel them, respect them and often cross them.
Frame from Hug Soon Comes

Hug Soon Comes (O Abraço Logo Vem), 2020, Brazil, 2 min

Directed by Paulo Accioly
Produced by Paulo Accioly, Bagaceira Filmes, Pedro Krull
Choreography by Paulo Accioly, Jeane Rocha, Samuel Pitta
Dancing by Jeane Rocha, Samuel Pitta
Music composed by Igor Peixoto
Cinematography by Perola Pitta
The present has long been no more important than the future. Without two kisses, without forró or punch the clock. Everything is far, everyone is far, but the hug soon comes.
Frame from Groggy Grugg

Groggy Grugg, 2018, United States, 4 min

Produced and Directed by Conor C. Long
Choreography by Brianna Lopez
Featuring University of Utah Screendance
Dancing by Grugg
Music by William Cannon
Filmmaker: Conor C. Long
A claymation screendance short film about that terrible every day struggle to get out of bed for that first delicious cup of coffee.